August 1975
"While we're on the subject of congratulations, let's hear it for Artful Archie Goodwin, who's returned to the fold after far too long an absence... "From Uncanny X-Men, Vol. 1, No. 94
"While we're on the subject of congratulations, let's hear it for Artful Archie Goodwin, who's returned to the fold after far too long an absence... "
Just this week (That's Marvel Standard Time, O Keeper of the Flame, not to be confused with the week when you finally read these wondrous words), George Pal, producer of such well-remembered and deeply-cherished Science Fiction films as The Time Machine and War of the Worlds, dropped by 575 Madison Avenue to let us in on the scoop of what many say may be his greatest epic - Doc Savage, Man of Bronze!
"... let's not forget Dynamic Dave Cockrum, whose fan dream of a lifetime came true when he was chosen to illustrate the equally-all-new, equally-all-improved adventures of the X-cruciatingly X-citing X-Men, who are currently cavorting in their brand-new Giant-Size mag!
"On his wedding day, paying no heed to the risks involved, Brave-hearted Bill Mantlo cast aside all thought of his own safety to race to the rescue of a driverless bus plunging backwards down a hillside towards a rapidly-approaching brick wall. Stopping the vehicle mere inches from impact, Bill calmly returned to his wedding ceremony with the profound thanks of two much-relieved elder states-people still ringing in his ears.
"Holiday Greetings, right from the heart
"Let's roll out the red carpet for Free-wheelin' Frank Robbins, Marvel's newest artist and bon vivant! As many of you know, Frank's the artist and writer of the newspaper comic-strip 'Johnny Hazard' and is considered by his peers to be one of the finest craftsmen in the business."When I was a kid, there was this series of hardcover juvenile adventure books featuring a character named Jerry Todd. They were something like the Hardy Boys, but they had a lot of humor mixed in with the adventure. And at the very end of each book, the publisher printed letters from the readers as well as responses from the author himself. It was so informal, so warm...it made me feel like I knew these guys and they cared about what their readers thought. I was surprised at the time other books didn't see what a great idea this was. I don't know if I consciously remembered those books when I set out to do the Bullpen page years later, or if I was unconsciously influenced and only afterwards realized where I got the idea from. I do know that talking to the readers informally and indirectly seemed like the natural thing to do."